This article looks in detail what has long been regarded as a crux of meaning in Keats's 'The Eve of St. Agnes': the last two lines of stanza 19, i.e. lines 170-71: 'Never on such a night have lovers met, / Since Merlin paid his Demon all the monstrous debt'. Early commentators, including Leigh Hunt, admitted to finding the basic meaning of the comparison here baffling, and modern commentators often note the lines as 'puzzling', uncertain, or ambiguous. The article proposes a clear reading of the lines, and begins to trace some of its implications in terms of how we read the poem as a whole
In this thesis I investigate whether and how John Keats responds to Chaucerian dream poems in his fr...
When Keats abruptly claimed, in one ofhis letters, that 'What the imagination seizes as Beauty must ...
The final two lines of the “Ode on a Grecian Urn” have occasioned more debate than almost any other ...
This thesis argues that the Keatsian critical canon refuses to acknowledge the influence of Celticis...
This article aims to interpret dreams in John Keats’s narrative The Eve of St. Agnes from different ...
This article explores the embodied language Keats uses in The Eve of St. Agnes to capture the senses...
This analysis of Keats's poem proffers evidence and arguments to support the contention that The Eve...
Early in November 1818, John Henry Newman and John Bowden published the first canto of a collaborati...
This paper explores John Keats\u27s 1820 poem The Eve of St. Agnes and the particular ways in which ...
For I believe that The Eve of St. Agnes is, in its hybrid nature, the most epistolary poem of the Ro...
Keats\u27s song, In drear nighted December(written in December 1817), has a strong connection with I...
This article re-examines the various processes of textual transmission for Keats's 'La Belle Dame sa...
The first draft of Keats’s ‘La Belle Dame Sans Merci’ appears abruptly, seemingly from nowhere, in a...
The article is devoted to the existence of myths in modern texts. As an example it was selected a se...
The article documents and investigates the continual interest and appreciation of the Romantic poet,...
In this thesis I investigate whether and how John Keats responds to Chaucerian dream poems in his fr...
When Keats abruptly claimed, in one ofhis letters, that 'What the imagination seizes as Beauty must ...
The final two lines of the “Ode on a Grecian Urn” have occasioned more debate than almost any other ...
This thesis argues that the Keatsian critical canon refuses to acknowledge the influence of Celticis...
This article aims to interpret dreams in John Keats’s narrative The Eve of St. Agnes from different ...
This article explores the embodied language Keats uses in The Eve of St. Agnes to capture the senses...
This analysis of Keats's poem proffers evidence and arguments to support the contention that The Eve...
Early in November 1818, John Henry Newman and John Bowden published the first canto of a collaborati...
This paper explores John Keats\u27s 1820 poem The Eve of St. Agnes and the particular ways in which ...
For I believe that The Eve of St. Agnes is, in its hybrid nature, the most epistolary poem of the Ro...
Keats\u27s song, In drear nighted December(written in December 1817), has a strong connection with I...
This article re-examines the various processes of textual transmission for Keats's 'La Belle Dame sa...
The first draft of Keats’s ‘La Belle Dame Sans Merci’ appears abruptly, seemingly from nowhere, in a...
The article is devoted to the existence of myths in modern texts. As an example it was selected a se...
The article documents and investigates the continual interest and appreciation of the Romantic poet,...
In this thesis I investigate whether and how John Keats responds to Chaucerian dream poems in his fr...
When Keats abruptly claimed, in one ofhis letters, that 'What the imagination seizes as Beauty must ...
The final two lines of the “Ode on a Grecian Urn” have occasioned more debate than almost any other ...